Richard Tuttle came to mind.
This painting: a Bigger Tuttle.
Tuttle's cool.
He works out the edge of a mesa in New Mexico.
Very nice.
(Later, I have my doubts...)
But Tuttle stays small. Being large was never a problem for him apparently.
Morandi, another champion of the smaller canvas.
If this is Tuttle, it's of a late Elvis kind. Dissapated Brando.
Being small is an argument. Making super large institutional scaled work is whoredom. So what does it mean to make paintings in this intermediate scale?
I wish I had an answer for you.
Posted by Dennis at July 20, 2004 8:22 AM
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