I hope you don't mind if I keep a little nonverbal regarding the whys and wherefors of this painting. If you are following closely (here and here), you might see a tacking back and forth and a directional course that results from the maneuvers.
I usually like to combine near and far camera shots of the paintings in this blog. I think this is a fair translation of what you see en vivo/naked eye. I liked to zoom in pretty close and step back in stages. The extreme close ups combined with the overall view is a fair representation of my experience in the studio. Sometimes though, I think some people get confused by taking the near for the far, so here I have relaxed the zoom in the first shot. Here is the overall:
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